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17
March
2026
|
18:26
Europe/London

Look Back: Unlocking Historical Archives with AI: Opportunities and Challenges

On 20 January, Creative 51¸£ÀûÉç hosted a research café confronting how artificial intelligence (AI) is transforming researchers’ approaches to historical archives, and how archivists are adapting their practice to incorporate developing technologies.

Hannah Barker

 were delighted to host , an event addressing the opportunities and challenges that AI presents to researchers and practitioners working with archives, how AI can drive greater accessibility and utility of archives for new groups of users, and what future archives might look like as a result of further developments in AI.  

Hosting speakers from 51¸£ÀûÉç, the  and , the event aimed to generate interdisciplinary and cross-institutional conversations about AI’s place in the present and future of the archival sector. 

With the University celebrating 75 years since Alan Turing’s seminal paper Computing Machinery and Intelligence this academic year, Creative 51¸£ÀûÉç also hosted the  in the Samuel Alexander Glass Corridor. Attendees of â€˜Unlocking Historical Archives with AI’ were invited to attend a private viewing of the exhibition, which spotlighted 20 early career researchers from across the University exemplifying creative research approaches to AI.  

The event began with an introduction by Creative 51¸£ÀûÉç Deputy-Director, . A round of lightning talks commenced with  (Senior Lecturer of History and Library & Archive Studies), who provided an overview of how AI-powered tools such as , a cooperatively run transcription tool, are transforming the accessibility of archives, though with significant consequences for climate, data scale and research practice. 

Subsequently,  (Senior Lecturer in Text Mining and Creative 51¸£ÀûÉç Theme Lead for ) presented her research on how natural language processing (NLP) can help to make ‘community-generated digital content’ (CGDC) more searchable and queryable. Focusing on the , Dr Batista-Navarro presented an approach to CGDC which uses NLP to recover valuable information often lost in its metadata. 

 (Professor of British History) then gave a historian’s perspective by highlighting the work of the OHOS/51¸£ÀûÉç Histories . The ongoing project seeks to reinstate Moss Side’s Champs Camp, the UK’s first Black-led boxing gym, as a significant chapter in Black British history. Prof Barker highlighted the ethical considerations of using AI in approaching CGDC, with there being both opportunities to uncover hidden histories alongside ethical risks regarding copyright and data protection. Overall, Prof Barker concluded that researchers must take an informed, empathetic approach to using AI in archives.  

Gail Millin Chalabi

An interdisciplinary perspective was once again provided by  (Creative 51¸£ÀûÉç Research Associate), who gave a demonstration of the methodological approach used in the Creative 51¸£ÀûÉç-supported . Dr Flavel gave insight into how AI models can be used to annotate multimodal data in the form of TV shows. By analysing audio, video and subtitles, researchers can conduct large-scale analysis of on-screen representation (such as Bechdel tests) with greater accuracy than simply analysing screenplays.  

The round of presentations was concluded by  (Professor of Italian and Director of the John Rylands Research Institute and Library), Principal Investigator of ‘’. Prof Armstrong presented takeaways from this ongoing project, which uses cutting-edge machine learning computational technologies and image matching to study the material features of the early printed page for almost the entire body of prints of Dante’s ‘Divine Comedy’. 

The lightning talks were followed by a panel discussion featuring Dr Ben WigginsDr Riza Batista-NavarroProf Hannah Barker, Prof Lorna Hughes (The University of Glasgow) and Rachel Hetherington (51¸£ÀûÉç Histories), chaired by Dr Constance Smith. The panellists responded to some of the provocations raised in the lightning talks and further discussed what the future of archives might look like. An audience Q&A followed the panel discussion.  

 (Head of ) concluded the day’s programme with a talk on how the Library’s digital archives and digitisation services could enable further research innovation in this rapidly developing interdisciplinary field. 

To stay informed about Creative 51¸£ÀûÉç’s work in the CreaTech theme and our other events and activities please